Interview with Wang Xueqi: I will never repeat myself in filming, and I will retire if there is no filming
Wang Xueqi
Movie Network News(Text/Zhang Wei) He is the male lead of Chen Kaige’s work "The Yellow Land". As a hot actor in Chinese movies in the 1980s, he was once dull in the 1990s, but Wang Xueqi still continues to take on the role and act seriously. In the past two years, he has starred in many blockbusters that have been well-received and well-received. He also won the Golden Horse Award and the Golden Rooster Award in his arms, but he always uses the word "lucky" to describe himself. Wang Xueqi said that he will keep filming until the day when no one is looking for him anymore.
Wang Xueqi is always brave enough to break through himself. In "Sword Rain", he was kissed and seduced by Big S
Being popular is not a must, winning is just luck
Golden Horse Award for Best Supporting Actor, Golden Rooster Award for Best Supporting Actor… Wang Xueqi won numerous awards for playing the role of the Thirteen Swallows in the movie "Mei Lanfang". After being brilliant and enduring loneliness, he now has many masterpieces, but he only calls himself lucky. If these well-received works did not appear, Wang Xueqi would still use his love for performance to shoot the show.
Movie Network: In the 1980s, you were the leading actor of many classic works. At that time, many people came to you for filming. Did you set a higher goal for yourself?
Wang Xueqi:No, in fact, actors are very passive, just looking forward to playing their roles well, let’s touch it, and I don’t know what will happen to a movie in the end, it’s hard to say.
Movie Network: In the 1990s, it seemed that you were a lot quieter? How could you stand loneliness at that time?
Wang Xueqi:There are also new films every year, and I have never been idle. I want to play every role well, but sometimes the book is limited. At that time, I thought that the next one would be better. It is not good to do it without this heart.
Movie Network: Does it feel uncomfortable to watch other actors become popular?
Wang Xueqi:Popularity is not a must. Opportunities are reserved for actors who are well-prepared. Some people may never have this opportunity in their entire lives. I have seen many directors who have been filming like this, from their initial enthusiasm to their diligence and hard work, and then to their retirement. Popularity is like winning a lottery. After all, it is a minority.
Movie Network: Your starring films such as "Mei Lanfang" and "Zhao’s Orphan" have achieved good reputation. Can it be regarded as another peak in your career?
Wang XueqiBefore the performance of "Mei Lanfang", I felt that this film was very important, because it was directed by Chen Kaige, it was a good book, and I had not worked with him for more than 20 years. Now I am not as curious as when I was young. I will take good care of my role and realize myself.
Movie Network: Having won so many awards, has your attitude towards movies changed now?
Wang Xueqi:Not much has changed, now there are more opportunities, the quality of the films is high, and many audiences look at the awards with an outcast mentality. It is rare to win an award, why is it so coincidental that it is you every year? Unless you are very good. The biggest reason I can win awards is because of luck. Many international directors don’t win every work.
64-Year-old Wang Xueqi hardly uses a stand-in in filming
I will never repeat myself in filming. If no one asks me to act, I will retire.
In "Mei Lanfang", the thirteen swallows, the wheel-turning king in "Sword Rain", and every character portrayed by Wang Xueqi is very brilliant, in his own words, he is "never repeating himself". In "Zhao’s Orphan", he has become the villain Tu Anjia, and Wang Xueqi is really changeable. Looking closely at these three characters, there are many action scenes, but who would have thought that 64-year-old Wang Xueqi basically does not need a stand-in?
Movie Network: You will not only shoot commercial films like "Sword Rain", but also films with strong artistic colors like "Rizhao Chongqing". Is there any standard for receiving plays?
Wang Xueqi:Just reading the script. When I saw the script of "Sword Rain", I was very excited and wanted to play it, because this character has been a eunuch for 50 years, but in the world of rivers and lakes, it is a killer leader who is very enjoyable to act. Needless to say, "October Siege", so many movie champions and queens are there. I was very happy when "Mei Lanfang" found me, and in "Zhao’s Orphan", the role of Tu Anjia is very plump.
Movie Network: If the box office of a movie genre is not satisfactory, will you accept it in the future?
Wang Xueqi:As long as it can stimulate my creative desire, my standard for acting is to never repeat myself, and each character has to be different from the root.
Movie Network: I heard that your fights in "Sword Rain" are all in person, and you don’t use a substitute?
Wang Xueqi:There are stuntmen in the play of Dangweiya. I have a good imitation ability. I can learn fast gestures and have good physical coordination.
Movie Network: Do you also exercise regularly?
Wang XueqiPhysical training is very important, I insist on running and jumping every day, often filming outside without any fitness equipment, as long as I can exercise.
Movie Network: Is this also to extend the lifespan of art?
Wang Xueqi:Yes, someone asked me when I would retire. It’s not up to me to have the final say. When no one is looking for you to film, I should retire. When I was filming in other places, there were young actors on the crew. I went to eat mutton kebabs at 11 o’clock at night and woke up at 11 o’clock at noon the next day. How can I be in good health?
Wang Xueqi
Young actors will be forgotten if they don’t work hard, and Chinese films can’t just focus on commerciality
When asked in an interview about the young actor’s broken file, Wang Xueqi’s tone was very earnest, with a heartfelt "hatred that iron can’t make steel". Indeed, he has experienced the ups and downs of Chinese movies, and he is outspoken in the face of today’s problems.
Movie Network: Most of the male actors with box office appeal are old actors. Are young male actors starting to break down?
Wang Xueqi:In fact, both opportunities and roles are very important. Nowadays, there are many excellent male actors, but the producer will have his own considerations. He wants to see your commercial value and return. Many reasons will affect whether the actor can participate in the film.
Movie Network: If you see young actors in the crew, would you give them any advice?
Wang Xueqi:Yes, I am very anxious when I see that they don’t work hard, and I will say it very rudely. It is not easy for them to have such an opportunity now. When I was young, I didn’t have such good conditions, so I was very anxious when I saw that they didn’t cherish it and acted inadvertently.
Movie Network: What’s your take on overnight success?
Wang Xueqi:Don’t learn some bad habits. It is true that some people become famous overnight, but if you don’t work hard and there is no good work, the audience will still forget you after a year or two. Many actors are like this, and they don’t know why they ended up going.
Movie Network: In fact, the return of your career to the peak has a lot to do with the prosperity of Chinese films as a whole, right?
Wang Xueqi:Of course, since I started filming "Loess", at that time, Chinese movies were just emerging. They followed the entire environment, the market expanded, and audiences were willing to enter the cinema. Now there are still few good movies, and there should be good movies all year round.
Movie Network: What problems do you think are still existing in Chinese films?
Wang Xueqi:There are many movies of an entertainment nature, and it is not enough to focus only on commerciality, not to pay attention to art, and it is not enough for the characters to fail to impress the audience.
Movie Network: What are your expectations for the future of Chinese film?
Wang Xueqi:It is definitely getting better and better. I can only catch up with a tail now. It is a good thing that Chinese movies have begun to develop in an all-round way. In addition to making money, we must also promote culture and instill good things. You can see the kind of heroism in American movies, which can especially boost morale. Chinese movies should be like this. They cannot just focus on business, but also have heroism and national spirit.
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